By: Gianni Truvianni

About the Author

My name is Gianni Truvianni, I am an author who writes with the simple aim of sharing his ideas, thoughts and so much more of what I am with those who are interested in perhaps reading something new. I also am the author of the book entitled “New York’s Opera Society” which is now available on Amazon.

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I as both an opera fanatic and author of the book “New York’s Opera Society” naturally am an ardent admirer of Wagner. It being this man who in the 19th century revolutionized not only opera but music through his works which included masterpieces the likes of The Ring of the Nibelung,  “Tristan And Isolde”, “The Flying Dutchman”, “The Meister Singer From Nuremburg”, “Lohengrin”, and “Parsifal”. Wagner’s influence however to a large extent took opera beyond what it had been up till his time; as he expanded it from merely putting poetry in to music to creating what could be hailed as “musical dramas”. Regarding Wagner, the composer he for the most part like his contemporary; Verdi (also born in 1813) limited himself to writing operas however Wagner unlike Verdi wrote his own librettos. This that which set him apart from many others; as Wagner was able to truly create an entire opera on his own in what he; himself dubbed “total art”.

Wagner apart from music led a very interesting life; which is the real reason for my decision to write a book about him. Wagner being one who perhaps was not a man who many would ever refer to as a saint. This given his habit of running in to debt and almost always escaping his creditors, whom he tended not to pay. It was in fact often that the sponsors of his operas would bail him out; thus preventing his going to debtors prison. Wagner’s political views were also something which managed to get him in trouble, specifically after supporting a failed revolution in Dresden. This being what led to his fleeing to Zurich; in order to prevent himself from going to prison as was the case with Röckel and Bakunin, who were amongst the organizers of the revolution .

Regarding Wagner’s romantic life; it for the most part was occupied by two women, both of whom he wed. The first of which being the one he would divorce after a union which would not produce much in the way of happiness. Wagner however would go on to remarry; a woman by the name of Cosima, who apart from being the daughter of Hungarian pianist Liszt would be the one to provide him with joy as well as three children. All of which born before the couple officially married, this given the fact that both were already in relationships that included marital ties at the time. Cosima’s being with Hans von Bülow, (piano virtuoso, teacher and orchestral conductor) while Wagner’s with German actress Minna Planer. Regarding their progeny it was the names of Isolde, Eva and Siegfried which were given to them.

It can be said that Wagner in many ways was “new age” as his music for its time was considered very loud (a factor mentioned in Oscar Wilde’s book “Picture Of Dorian Grey”), perhaps even more so than heavy metal was in the late 70′s yet it was also in his personal habits that he was such. This the case since he was a vegetarian, who historians believe to have influenced Hitler in following his example of the same.

Many in Wagner’s time; as they still do today regarded the maestro as a megalomaniac; them referring to his need to make everything bombastic, such as his operas, most of which extended close to if not over four hours in length along with the opera house he had constructed in the Bavarian town of Bayreuth. This being a place which in present day dedicates itself to the exclusive performance of Wagner’s operas.

As for Wagner’s influence on me, I can in earnest state that it is his music and its use of heavy brass and percussion that provides me with a lot of the passion; many have claimed to find in my work. This being more so the case in the winter months in which I require more energy; simply so I might make it through the day as well as my written works.

Wagner like most greats had his rival; one who could also create grand works to motivate him to deliver his best. In Wagner’s case this individual was undoubtedly Verdi; who even admitted after Wagner’s death how he had been influenced by the German maestro’s music.

As for the story in my book it will concentrate on the life and times of the great German composer; Richard Wagner yet unlike most biographies this particular one will be told in present time by “Getty Albert”. She being one of the main characters of my first ever published book “New York’s Opera Society”. The story will commence almost a full decade after the events of my first book, when Gosia, now Bill’s wife and the mother of his only two children asks her mother-in-law, Getty who is staying over to help out with her grandchildren what it is about Wagner’s life that people find so fascinating. All of which prompting Getty, never shy about discussing her love for not only Wagner but opera to narrate the story of Wagner’s life; in a tale that keeps these two lovely ladies up all of the night while they handle the duties of taking care of Gosia’s youngest child, who happens to have come down with a case of influenza. It is in Getty’s tale and the passion she puts in to it that we are able to get an idea of how it was that Wagner lived and loved and above all composed music which despite the years has not been forgotten like that of so many others.

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For her informative speech, Jackie Carrelli talks about rock music.

I once wrote “To alter ones preconceptions of space” but what I actually do is tweak or undo or change the interiors of space (predominantly the interiors of museums and galleries when given permission) and in many instances actually enlist parts of the building as part of the sculpture, and in that way unsettle or break peoples preconceptions of space, what they think space might be.. I can radically change that viewpoint in some way.Through any kind of material, the material is the one that suits the idea best, I am not a sculptor that operates with any type of given material, I choose what is suitable or fitting to the particular requirements of the work.

Can you describe the exhibitions that you have had at Matt’s Gallery?

I have shown four times at Matt’s Gallery, three in the old space and one in the new space. The first show was in 1985 titled “Sheer Fluke”, 1987 was “20:50″, 1989 was “She Came in through the Bathroom Window”, and 1994 was “Water Table”.

So in 1985 that was my first exhibition, “Sheer Fluke” was a very large aluminium casting, 15cwt was cast in the space over a period of time to create what appeared to be like a very bent beam arking across the room with a large drawing on the far wall which was a “smoke” drawing. This all stemmed from a piece of writing about the Great Whale in the Natural History Museum but as suspended mass.So., I built this piece of work which is really all about creating a piece of work within a space, through some theatrical process.1987, “20:50″, my sort of ‘party piece’ as the title describes was basically to fill to waist height the old Matt’s Gallery at Martello Street with used waste oil, so thereby filling the space I actually by illusion or reflection seemed to double the space.

How did you come to exhibit at Matts?,

It was through a frustration that I got to Matts Gallery. I was beginning to make a name for myself as a sculptor, through the late 70′s and early 80′s and I remember a very big show coming up at the time of the big sculpture boom with The Lisson Gallery, and those kind of artists, those object makers. It was a big exhibition at The Hayward called “New Sculpture”, and it was an open submission and I remember submitting this idea for a casting and having the work rejected and I realised that I wasn’t part of a scheme of things at that particular time, everyone was moving with the fashion, making objects and I was moving further and further away.

How would you describe the experience of working with Robin?

It was a very very long working experience, I have known the gallery and Robin for almost 13 years now. What is good about that is that it means one has been able to understand where someone is coming from and see how they have developed and see how our working relationship has got along. He gave me a lot of opportunities by not interfering with the idea too much, allowing me to say to him ‘this is what I want to do’ and him basically agreeing and finding collateral to be able to put those ideas together

Where is your next exhibition?

Its in the former East of Germany, two shows together; one in Gere at the Otto Dix Museum and the other concurrently in the museum in Zwickau. Its quite busy this year but they are the imminent shows that have not yet been built or drawn! And I am moving a little bit towards to a show of objects. Its really more to do with a sequence of events that has started to make me think about changing the work. One is that I was working very much with site specific work and have been for years, and obviously there are problems with that in that you can’t tour a show necessarily, at the same time demand is so great that I can’t be everywhere at the same time

Read entire article about Richard Wilson or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/richard_wilson.htm

Depending on what room of the house you’re painting, how often the room will be used, and whether you have lots of tiny little hands around your house, you might prefer a satin paint over a matte finish. Though one finish may look better than another on sample, take into consideration how often you will need to wash the paint surfaces.

Matte – Paint with a flat, dull appearance is referred to as having a matte finish. Paint of this type won’t reflect light, so it is perfect for touching up blemished wall areas. However, it can also scratch easily. Therefore it is not recommended for walls that will need thorough or frequent scrubbing.

Eggshell – With a very small hint of gloss, eggshell paint finish is similar to the texture on an egg, hence its name. Perfect for rooms that will need cleaning, but with less vigor or frequency. This finish tends to give walls an upscale feeling, making it perfect for guest powder rooms or adult library retreats.

Satin – This interior wall paint finish has slightly more gloss than eggshell, and is most often used for doors, trim, window sills and kitchen cabinets. It can be used for walls as well, but doesn’t stand up to scrubbing as much as semi-gloss paint. It’s the prefect choice for an elegant looking baby’s room or the formal dining room.

Semi-Gloss – Perhaps the most popular interior paint choice, semi-gloss paint stands up well to washing. It is a good choice for bedrooms, kitchens and bathrooms. The gloss of this finish allows for easy wiping of the spills or crayons markings that kids leave behind. However, it tends to show blemishes more easily when walls are not properly prepped.

Glossy – Interior walls pained in gloss or high gloss are very rare, though more homeowners are choosing it to paint a special room, or accent small areas of a room — such as kitchen cabinets. Gloss finishes are easy to wipe off, though the paint itself will make all imperfections stand out. Surface prep is therefore very important.

Choosing paint for your next remodeling or decorating project can be a daunting task, but knowing a bit about what is available before you go by is the best way to prepare yourself. If you do your homework and know what you need, your only worry will be picking the perfect color to go with the room’s furnishings.

Some of the aspects of art have been transformed from traditional art (such as drawing, painting, and sculpture) to modern art due to the incorporation of digital technology. Some new art forms have also been developed. Some new art forms that you expect to find in a digital arts school are:

Digital installation art is the use of three-dimensional works to transform perception of a particular space. Installation artworks have been constructed in galleries and museums and in other places.  This style incorporates a wide range of materials like new media (sound, video, performance, virtual reality) and internet. Many of the installations are designed to exist only on the space created.

Net art is the use of the internet as the platform in which to create art. The artists who apply this are called net artists. This form of art is most often participatory, interactive and multimedia based. However, it does not refer to art that has been uploaded to be viewable on the internet. It purely relies on the internet for it to exist.

Virtual reality is a simulation technology that allows interaction between the user and the computer-simulated environment whether real or imaginary. The visual experiences are displayed on computer screen or on stereoscopic displays. It also includes the Additional information such as sound through speakers, etc.

This art field includes digital photography, computer graphics, and computer assisted painting. All these are very interesting field to pursue in a digital art school. You can enroll to the digital arts engineering college for all this and much more. Digital arts engineering college prepares the student to an exciting career as a digital artist.

Photo releases are good publicity materials this is why most firms make use of it in introducing their products and services. When it comes to real estates, blimp aerial photography is commonly used. This cost more than the usual photo services but a wise company would not mind taking this as a promotional tool for it promises wonderful returns.

Aerial photography in Utah is a method of photography wherein subjects are taken from great heights. The cameras used for this type of picture-taking cannot be supported by tripods since aerial cameras are used from helicopters, blimps, airplanes, or other aircrafts. The photographer must be skilled at this because framing the picture requires consideration of altitude and picture angle to achieve correct perspective.

Aerial photography has a wide variety of uses. Its outcome can be used for maps or stitched together to produce images of an area’s topography and major elevations. These pictures can also be useful in real estate advertising and brokerage firms to show how neighborhoods are laid out.

High altitude aerial photography is used in land-use planning, commercial advertising, environmental studies, archeology, artistic projects, and many more. Aerial photos of Utah real estate undergo analysis and assessment before they are distributed to the targeted market.

Good thing that real estate firms can make use of advanced radio controlled models to conduct even low-altitude aerial photography. Modern pieces of equipment such as these have been very advantageous especially for advertising purposes. Real estate advertising is conducted for both commercial and residential properties.

Since some potential properties are hard to reach for inspection and assessment, model aircrafts are available to use. Small-scale model aircrafts offer increased photographic access to these previously restricted areas. Miniature vehicles, however, cannot be a substitute for a full-size aircraft since the latter is capable of longer flight times, higher altitudes and greater equipment payload.

Although aerial photography is advisable especially for commercial purposes, it’s not easy to perform. You would need a professional to tackle this job. Every clear real estate shot ensures a step closer to success. With this type of photography, potential clients get more information about the area wherein they plan to purchase a home or put up a business facility.

Professional photographers with exemplary skills, perseverance to achieve quality shots and an eye for details are definitely needed to perform aerial photography.

For additional information, check out this site on real estate photography..

 Learning about digital photography doesn’t mean you have to go sit in a classroom—you will find plenty of online courses you can take that will provide the information you need. You can, of course, choose some local courses if you so desire. The important thing is you want to learn enough about the field to be able to take pictures that people will be willing to buy. If you aren’t good enough to sell your services, there is little reason for you to consider a career in photography. Another option is to obtain a position in a photography studio that offers on the job training. Keep in mind that the training you receive in a photography studio will relate directly to their individual needs, so if you plan to do something different, you will need to gain experience and knowledge in the area you wish to pursue.

 Another option is to purchase a book and study about digital photography in your spare time. The books that are available on photograph will give you step by step instructions on what to do in order to make certain you can produce the most professional looking photographs. You will find explanations that tell and show you how to adjust the settings on your camera to achieve the best results. The more knowledge you gain before you begin offering your services as a photographer, the less time you will have to spend reshooting a photo. You want to keep in mind that sometimes you will not have a chance to reshoot when you are working with clients, so it’s important to make certain you develop all of the kills you need before you begin working professionally. Freelance digital photography clients will come to you by referral, so it’s essential to be a perfectionist in your area. 

AC/DC – Let There Be Rock (Music Video) HERES A FACT:In this video at 4:20 Bon Scott sprained his leg lyrics: In the beginning Back in nineteen fifty-five Man didnt know about a rock n roll show And all that jive The white man had the smoltz The black man had the blues No one knew what they was gonna do But tchaikovsky had the news He said – Let there be sound, and there was sound Let there be light, and there was light Let there be drums, and there was drums Let there be guitar, and there …

Some of the biggest myths concerning fine art collecting and finances are that it doesn’t appreciate quickly enough to be a good investment. Also, a widely-held assumption and falsity is that art doesn’t do well in a down-turning economy and that prints aren’t valuable. This article dispels each of those myths and proves that art can be a suitable way to improve your investment portfolio.

MYTH: Art Doesn’t Appreciate As Fast As Traditional Investments

TRUTH: This couldn’t be further from the truth. A piece by Andy Warhol worth $1,000 in 2005 is worth about $3,250 today. Simply put, the art market is consistently showing impressive returns, often beating out traditional investments. Two business professors from New York University agree. Michael Moses and Jiangping Mei have complied and tracked the performance of fine art. The Mei Moses Index covers Impressionist, Modern, American (before 1950), and Old Master artists. “From last year, through the end of 2007, all our index was up 20% while the S&P total return was up 5%,” says Michael Moses (co-founder, Beautiful Asset Advisors).

MYTH: Art Investments Don’t Do Well In A Down-Turning Economy

TRUTH: Fine art collecting is known to be a recession-proof method of investing. Because art values aren’t dependant on any country’s stock market or currency, they can continue to appreciate over time, regardless of the current state of the economy. For example, foreclosures have crippled the real estate market, but fine art investments continue to do well. Well-known artists like Marc Chagall, Pablo Picasso, and Andy Warhol are some of the many whose works continue to appreciate in value. The reason for this is simple: these artists are no longer living, limiting the number of original pieces available for sale.

MYTH: Prints Aren’t Valuable

TRUTH: An original, authentic, limited fine art print created during the artist’s lifetime carries with it the value of being printed by the artist’s hand. That is impossible to reproduce, and that is why it will always be valuable. When most people think of prints, they think of mass-produced posters that can be found anywhere. In the art world, a print has a completely different definition. An art print is usually produced in limited editions that are often hand-signed by the artist. Usually you can find a number such as 15/150 which means that your copy was the 15th numbered out of a total edition of 150 (frequently there are also a few artist proofs). Collectible works were printed under the artist’s direction and with the artist’s approval. The plates used to make the prints were almost always destroyed shortly after the printing run. This means they are in limited supply and it impossible to recreate an original.

When it comes to fine art collecting, there are many myths regarding art and investing. Art has proven to be a unique investment opportunity that is sure to appreciate while you enjoy its beauty every day.

Classic music is still played by many of today’s musicians. European classical music is largely distinguished from many other non-European and popular musical forms by its system of staff notation, in use since about the 16th century.

Classical and popular music are often distinguished by their choice of instruments. The instruments used in classical music were mostly invented before the middle of the 19th century. Some of them had been designed even earlier, and codified in the 18th and 19th centuries. They consist of the instruments found in an orchestra, together with a few other solo instruments such as the piano, harp, accordion, and organ.

The great majority of classical music gear fall into six major categories – bowed strings, woodwind, brass, percussion, keyboard, and the guitar family. The first four form the basis of the modern symphony orchestra.

The classical guitar was originally a Spanish-derived, six-stringed instrument. It is played using a plectrum or the finger-nails, with frets set into the fingerboard. Popular music tends to use amplification for both the six-stringed instruments and the four-string bass guitar. The guitar family gradually supplanted the lute which had come to prominence during the Renaissance.

The piano is widely used in Western music for solo performance, chamber music, and accompaniment. It is also very popular as an aid to composing and rehearsal. Although not portable and often expensive, the piano’s versatility and ubiquity have made it one of the most familiar musical instruments.

The piano is sometimes classified as both a percussion and a string instrument. In the period from about 1790 to 1860, during the Mozart-era, piano underwent tremendous changes, which led to the modern form of the instrument. Early technological progress owed much to the English firm of Broadwood, which already had a reputation for the splendor and powerful tone of its harpsichords.

The accordion is played by compression and expansion of a bellows, which generates air flow across reeds. A keyboard or buttons control which reeds receive air flow and therefore determine the tones produced. The accordion’s basic form was invented in Berlin in 1822 by Friedrich Buschmann. The accordion is one of several European inventions of the early 19th century that used free reeds driven by a bellows.

The violin is a bowed string instrument with four strings tuned in perfect fifths. It is the smallest and highest-pitched member of the family of string instruments, which also include the viola and cello. The oldest documented violin to have four strings, like the modern violin, was made in 1555.

Significant changes occurred in the shape and structure of the violin in the 18th century, particularly in the length and angle of the neck, as well as in the bass bar. Most of the old violins have undergone these modifications, and hence are in a significantly different shape than their forerunners, undoubtedlys with differences in sound and response.