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What Sales Technique Kills More Deals than Any Other?

Do you know which sales technique kills a deal faster than any other does? Do you know what this sales technique is so that you do not use it and blow deals?


Before considering the methods of selling that are most effective, it will be well to get rid of a mistaken idea that is all too common.


A great many people regard reasoning power, or the force of pure logic, as an important selling tool.


There are sales representatives who attempt to “argue” prospects into buying. Unthinking sales executives sometimes instruct their representatives to employ certain “selling arguments.”


The methods and language of the debater have no place in the sales techniques used by a truly artistic sales representative or sales manager.


One debater never convinces the other. At best, debaters only defeat an antagonist.


In a skillfully finished sale, however, there should be neither victor nor vanquished.


The selling process is not a battle of minds.


There is no room in the sales process for any spirit of antagonism by a sales representative. When thinking about your best capabilities that you have to sell, do not emphasize the value of logic and reasoning. If you use them at all in selling yourself, you would be wise to disguise their character.


Never suggest that you are debating or arguing your qualifications with prospective buyers about your (or your companies) mental or physical capacity for service. You cannot browbeat your way into opportunities to succeed.


Most employers buy the expected services from sales reps to satisfy their own desires for particular capabilities. Few will buy against their wishes. You cannot make someone buy from you.


In order to sell your qualifications for success, you first must make the other person want the benefits you offer. Usually both the mind and heart must be stimulated to produce the desired results.


The most skillful salesperson does not use the words, tones and actions of argument. In preference to cold reasoning and logic, a good salesperson employs the art of mental suggestion and emotional persuasion.


Suggestion is especially effective in producing DESIRE.


A suggested idea is unlikely to provoke antagonism or resistance. A suggestion has power because it has ready access to the mind. Usually a suggestion gains access to the consciousness of a person without this individual even realizing it.


This is why suggestion via subliminal motivation techniques is so effective.


When people become conscious of an idea that you have suggested, they likely will treat the suggestion as one of their own ideas and not as an intruder. Naturally, they are less inclined to oppose a desire prompted by their own thoughts. If this person felt the idea had been planted in her subconscious, her resistance level would accelerate considerably.


All of us know the great power of suggestion. However, too few people use words, tones and movements to make use of the influence of suggestion. Suggestion is always more powerful than stating the idea directly.


Probably no tool of salesmanship will be of more help in assuring your success than a fully developed facility in the use of suggestion.


Suggestion is the skillful process of getting your ideas into the unsuspecting minds of others.


Have you incorporated the art of mental suggestion and emotional persuasion into your sales tools repertoire?

Bob Bergeth currently consults with and leads hundreds of home-based entrepreneurs. His specialty is recruiting, training, motivating and leading. He has a Ph.D. and is President of International Mergers & Acquisitions. He publishes a popular newsletter, The Freedom Express: An Insiders Analysis of Home-based Businesses. Contact Bob at
Wealth Building 101 or http://www.mymangosteen.com/dream/

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Is Digital Photography Better Than Film Photography?

The world of photography has been changed forever by the arrival of digital cameras. Millions of people are getting involved in photography for the first time, thanks to the economy and convenience of digital photography. But the question is still often asked. Which is better: film or digital?

I use film, but if someone asks me whether they should buy a film camera or a digital camera, I almost always recommend digital. The answer is not so simple if someone asks me which is ‘better’ – film or digital?

The answer comes down what you mean by ‘better.’ Photography is many things to many people, so the merits of the medium depends on what you expect to get out of it.

In my business (a nature photography gallery), the single most important criteria is the quality of the printed photograph. For me, film still provides superior quality enlargements, even though darkroom printing has all but died out. These days, I get a high-resolution scan from the original film, and print my photos digitally. This process gives me a better quality enlargement than a print from a digital camera. I am talking about BIG enlargements here – A2 and sometimes larger.

So why do I recommend others to switch to digital photography (if they haven’t already)? Simply because not many people make their living selling framed photographs. Let’s face it, how many of us will ever print a photo larger than 8×12 inch (20x30cm)?

These days, in fact, how many of us ever get around to printing our photos at all? The day of the photo album has passed. Today most photos will only ever exist as digital files. We can share them in emails, insert them into websites, use them as screensavers…for many people the idea of actually printing a photo is little more than a novelty.

So in the age of digital photography, what does film has to offer? Well, not much, except for the high cost of developing and printing (don’t forget you have to pay for each exposure, even the bad ones). Then there is the long delay between taking the photo and seeing the result. Finally, if you want to use your photo for any practical purpose, you will probably have to scan it to turn it into a digital file anyway.

So, is digital photography ‘better’ than film photography? In the modern world, which demands speed and convenience, yes. With your digital camera you can take all the photos you like at no real cost, and see the results instantly. You don’t have to pay to print photos you don’t want, and you can simply delete your unsuccessful images from your camera.

That’s not to say digital photography is perfect; far from it. I have already mentioned that your digital files are not as good as film for very big enlargements, but there is more to it than that. The quality of a digital print is a little ‘flatter’ than a photo printed from film. It may have plenty of colour and detail, but in ways that are hard to explain, it lacks the illusion of three-dimensional real life that you can get from film.

In the past, most digital photographers would laugh at me for suggesting such a thing. I suspect that was because after investing a small fortune in their new technological treasure, they were reluctant to admit that their new toy was not perfect in every way. Today, however, even the most committed digital convert seems willing to admit that the digital revolution has, for all its advantages, brought with it a level of compromise in quality.

Is there a solution? Of course there is, and it is called software. Whichever editing program you use, it is quite easy to ‘tweak’ your photos to a standard that is as rich and three dimensional as a photo printed from film. These programs have become a fact of life for many photographers, but not everyone likes to use them or even knows how to. Then there are the grumpy old purists (like me) who feel that a well-exposed photo should not require enhancement to bring it up to standard.

So where does all this leave us? Is digital better than film? For my purposes, no. For your purposes, most likely yes. If your priority is not large, high quality prints, there is really very little reason to stick with film (other than nostalgia).

If you are shopping for a camera (SLR or compact), make it a digital. Just as important, take the time to learn how to use it. Photography is still about focus, aperture, shutter speed, composition and lighting. The digital vs. film debate means nothing if your camera is always switched to auto for taking snapshots. Oh, and get to know your computer…you’re going to need it.

Andrew Goodall is a professional nature photographer of 20 years experience, with a successful gallery and two ebooks, which have helped thousands of beginners discover the art and skills of nature photography. See Andrew Goodall’s images at http://www.naturesimage.com.au and check out the ebooks at http://www.naturesimage.com.au/page/25/default.asp

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Motion Graphics are better than Static Graphics

Visitors get glued by motion graphics in a website as videos capture immediate interest. Static graphics on a website just don’t engage the attention of the reader as promptly as something like a flash animation.

Enhanced Advertising

New developments in web video technology are translating to motion graphics that relay audio, text, music and motion at the click of a mouse. As anyone tracking web bounce rates will testify, you have to grab the attention of your visitor in a manner of seconds. You have to use innovative interactive techniques to capture their interest. You can both quickly attract and educate consumers to your products with motion graphics much better than static graphics simply because you can provide consumers with an engaging experience.

Video loops and video backgrounds can be the core of motion graphics that breathe life into your advertisements. Motion graphics add extra meaning to the message you want to convey in your ad or web video. The movement in motion graphics is capable to stirring a range of emotional responses from viewers. You can entice your viewers or repel them. You could surprise them or shock them. The stronger the emotion you evoke, the better your chances of converting eye balls to sales.

Static graphics are unable to convey on the uniqueness of your value proposition as well as motion graphics. Video provides a lasting impression of your site, your product and your message. As a business promotion tool, video ads are gaining favor among tech savvy consumers. Using inexpensive video backgrounds or video loops in your advertisements, you’ve hit on an effective, efficient and inexpensive method of marketing your products.

You can do lots of incredible things with video backgrounds and animations, from launching a remarkable new website to creating a cool branded video ad. Combine your animations with interactive components and you will enhance your online campaigns. Creative motion graphics are better than static graphics to snare your potential customers.

CEO of Anistock

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Ballet: Dancers

A ballet dance video. Ballet dancers dancing. From the ballet series, “Anaheim Ballet: More Than Dance…” … Ballet Video Dancers Dance Anaheim Than Podcast Jumps Turns Pirouettes ??? Jimma ??? Alekzander ??? dancingy Cha Aria

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Vietnamese Fine Art – Better Than Ever!

After years of a rather provincial existence, Vietnamese fine art is finally coming out of the closet to present itself in its full glory before a wider audience. The growth of interest and the rise in popular enthusiasm about Vietnamese fine art have been truly phenomenal in the past few years. The last decade, especially, has witnessed a dramatic growth in the number of people world-wide taking an enormous deal of interest in Vietnamese fine art. It is safe to assume now that Vietnamese fine art has finally come of age.

The contemporary art scene of Vietnam is buzzing with activity, and is vibrant like never before. This is to be attributed not only to strong commercial considerations, but also to the commitment of artists and dealers to create and promote quality work. One cannot help but wonder in awe when one looks upon the radical metamorphosis of Vietnamese art over the last few years. Less than a decade ago, contemporary Vietnamese fine art and artists had negligible presence in their own country and virtually none on the international art scene.

Yet, in 1993, eminent art critic and accomplished painter Ca Le Thang wrote in the popular art journal My Thuat, “In 1992 a total of 130 groups and one man exhibitions were opened in Ho Chi Minh City, featuring works by local (Vietnamese) artists… and even (artists) from overseas. Over 5,500 works created by more than 200 artists were exhibited in 25 different locations; attendance numbers rose to over 400,000.”

Since then, Vietnamese fine art has not looked back. It has only grown from strength to strength with every passing year. A closer look at this phenomenon reveals that it is not just the profile and status of the nation’s art and artists that have grown in strength. The change is also evident in the quality of the art and in the scope of its representation through local, regional, and international galleries and museums. Instrumental to this have been such significant events as the exchanges between the Queensland College of Art, Brisbane, and the University of Fine Art, Ha Noi, and the visionary Indochina Arts Projects spearheaded by David Thomas in the United States.

Local galleries and museums have a major role to play in the growing popularity of Vietnamese fine art. They are the main driving factor behind the increasing popular enthusiasm and the commercial success of fine art in Vietnam. Such galleries are virtually countless in cities such as Hanoi, Ho Chi Minh City, and Hue. Some are nothing more than mere shops selling paintings. In the major cities, about 50 galleries can be deemed professional. They deal in a wide variety of local art, ranging from highly popular landscape and figurative work to abstract and experimental work in lacquer and other mediums.

Keeping with the changing times, Vietnam fine art has also gone cyber! The Internet today features a bevy of excellent online galleries and resources on Vietnamese fine art. All it takes is just a few clicks of the mouse to explore the exciting world of Vietnamese fine art from your desktop and even, collect some for oneâ??s own.

Simon Churchgate is a veteran in Internet marketing and a wordsmith par excellence with countless articles on a wide range of subjects to his credit. He is a big enthusiast of Vietnamese fine art.

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